By June Glasgow
More often than
not, he dances without changing. Sometimes he changes places. There are never
spotlights. There is no spotlight. In a corner of a mall. Seven nights a week.
The man dances.
Without thinking
if he has ever fathered a son or daughter. He sleeps. Or whether another woman
has died for him. If he is lucky. Sometimes a woman would blow him for free. He
is blue one day. Another day he is gay.
He does not put
on a mask each day to face what comes. Only a hat. And he takes a piss behind
any shrub he finds. He dances and he does not think why he dances. The man
dances for nothing. Dancing cannot heal a man.
He puts on his
hat and leaves wherever he is. And he puts his arms up to stretch. What is God,
he thinks. Or stupidity. Or fate. Another kind of charm. Serendipity. The man
dances as freedom dances on emancipated prisoners’ faces. When he remembers the
past, he dances the past away.
The morning is a
syrup smell. He walks in search of cigarette butts. He is in one piece. He has
not lost anything. He is lucky if it did not rain the night before. The man
dances on mornings of winter when he wakes up in parks.
He even forgets
the ocean is mostly never blue. Never the smell of the ocean. Or the smell of
seamen. Cunts. Fallen leaves. Wild wind. Cat piss. There is nothing like the
smell of winter in open parks.
He hangs around
the city. Now he does not remember the smell of the ocean. But that was many
years ago. He took to dancing. He decided to leave his job because the ocean
was overfished. He danced as a fisherman. He thought he’d drown himself one day
at four o’clock in the morning. He worked as a fisherman. He has been to the
ocean and heard its churns. He dances like a captain.
When he stops,
he contemplates a suicide he witnessed two years ago. He thought the woman gave
him luck. He got more money than ever. He danced that night in the mall. He was
not sad. The man danced in mourning for another loss of life. Her hair dark.
Her neck was broken. The woman wore no make-up, was ugly without it, dead. A
woman jumping off the roof two blocks down china-town. It was nothing special.
The man dances.
He always does.
It hasn’t rained
for days. His suit stinks. They get washed when it rains. He hunts with coins
in his pockets. He thinks he is a snake that is condemned to dancing. He has
not seen into a mirror for three months. He has not brushed his teeth. The man
has bare feet.
As summer warms
up the city lights, he strips off his shoes. He gives them to a friend. A bum
that lives down an alley in china-town. The bum dances like an old Indian. The two
men dance like a humans without shoes. They both danced together once. The
performance was good. They earned money and left. As men, they dance to this
day. But on separate plains.
The man who
dances only dances at night. Only at night. He forgets his friends who dance
also someplace. Drawing the eyes of a woman, or a cat. He would like to straighten
is shirt and comb his hair with spit. He dances while his shirt is stained. He
thinks he is dreaming. The mind is psychedelic like dreams. When he dances, he
hardly thinks.
He thinks life
is good. He thinks his life is stable enough. Sometimes on trains in early
mornings. Often in dark corners. He tugs at his cock when he pleases. He does
not need a stable woman. Or poison. He does not need a good woman. Old time
blessing. Something down his blood. Enough.
So he will keep
dancing. He thinks there is a purpose to his dancing. He thinks he believes in
God. Sometimes he contemplates religion. He sometimes skips dancing even though
he never gets sore. He picks up cigarette butts off where he finds them. If
they are dry, he’d light them if he has a match or a lighter.
He dances,
tugging his hat low. Here and there someone recognizes him. They nod and grin.
He nods and grins. Sometimes they skip the grinning. He grins back anyway.
A woman once
gives him her phone number. It is raining outside. He calls her in a telephone
booth. He calls when he finishes his performance in the mall. The booth is
warm. The clouds are dense. He calls and she never picks up. He tosses the
paper with her number on it into a bin and walks on down the streets. He does
not whistle. He flies his hat into the air. His hair stinks. The rain washes
him clean. He is a dog in the rain. Everybody has gone somewhere. He dances
alone. Or he dances with his shoes. His shoes his partners, he dances with
them.
Sometimes he
smokes when he dances. People still give him the money. He smokes as much as he
can. He wishes they’d give him money for just smoking. People toss coins into
his hat and looks away when he flashes his tattered yellow teeth with smoke
stains to return something they forget they gave. He dances free jazz and jams
samba. He dances psychedelic. He dances all shapes. He shifts his legs and
makes circles with his feet. An Egyptian man. Almost.
The man dances
good. He dances in colors he does not know he sees.
The women that
play violins on weekends near the Lutheran church recognize him. One of them
spreads her legs for him in public toilets. The grime is not too much for her.
He likes her long hair down. She has no beliefs. The church is tall. Sometimes
she spreads her legs in the alley to the back of the church. He fucks her very
good and leaves her. He goes dancing with her at the far back of his mind.
He hasn’t
touched anything for years. The police don’t touch him because they know he is
clean. They never catch him doing it. He would piss on the walls if he needs. He
would do the same for nothing or for everything. Whirling in and out of other
people’s jealousies, unrealized ambitions. On streets of black sewers, green
plants, twisted cans, the man dances like a soldier in the snow.
Two years ago,
he danced for a woman in a mall like this. Now there is none of that. Two years
is not a long time but it is enough for a man to stop dancing for love. A woman
is trouble. There is only safety from troubles when one stays the distance. A
man can swim in a river. But he has to keep going or he will sink. The man
thinks like this.
The women would
close their doors for a man like him. His nerves are calm. His fingers twitch
like nerves. There is ecstasy in his moves. He dances like a Pygmy. He dances
at times like a woman. He was born in Chile. Down near his throat, he cannot
feel his sweat.
The man dances
as a woman passes. The maids, the rich old lechers, the young wenches that
expose their bodies all pass as the man dances. The woman who passes passes as
all the others have passed. His hat is upside-down in front of him. The ground
is clean. Relatively. A girl drinks hot coffee at the table closest to him. Her
eyes droopy. Her legs long and covered in silk stockings. Her legs crossed like
creeks. Black. Crossing creeks. The man dances. He does not have an erection
but he thinks he might soon if he keeps looking. Another woman passes. They all
pass, are fleeting.
He never
whistles to start a song. He only waits for the music to start at the far back
of his mind. There is no ocean that is close enough for him to hear it. He is
dancing where the crowd does not gather. The night is Friday. The wind is
black. The mall is thick with the morning smell.
Money is less
important. But here he dances. With poison in his blood. What he doesn’t want.
He takes it. Coins. Women. A woman comes to him to give him some money. She
passes, is fleeting.
He cannot speak.
There is no music. A deaf man. Mute. At least not blind. Can still smell and
taste things. The night is made of ocean and the surfaces between what the man
can see and cannot. The world is open. His left lid twitches. A good omen.
The man dances
on.
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